It’s all about the process 💅 What do ukiyo-e look like under a microscope? Our conservation team took a closer look at some of the prints in our current exhibition, “Japanese Prints in Transition,” to find that beauty can also run paper deep. Read more about these special prints — and some of the tools that made them — by clicking on our link in bio 🔬 [Hiroshige III, “View of Tokyo with a Picture of the Railroad at Takanawa,” ca. 1875, Fine Arts Museums of San Francisco, Museum purchase, Achenbach Foundation for Graphic Arts Endowment Fund] [Konishi Hirosada, “Ichikawa Ebizo as the ghost of Natora in the play Hana Kurabe Ise Monogatari at the Naka Theater in Osaka,” 1849, Fine Arts Museums of San Francisco, Gift of Hilarie Faberman in honor of Professor William Eddelman] [Toshusai Sharaku, “The Actor Sakata Hangoro III as Fujikawa Mizuemon in the Play Hana ayame Bunroku Soga, Miyako Theater,” from an untitled series of half-length portraits of actors, 1794, Fine Arts Museums of San Francisco, Museum Purchase, Achenbach Foundation for Graphic Arts Endowment Fund] #JapanesePrints #Ukiyoe #JapaneseArt #ArtConservation #Printmaking